‘we can’t have full knowledge all at once’…but that never seems to stop man’s ego

“We can’t have full knowledge all at once.
We must start by believing; then afterwards we may be led on to master the evidence for ourselves.”
St. Thomas Aquinas

(Julie Cook / 2019)

“Action relies upon contemplation for its fruitfulness; and contemplation, in its turn,
as soon as it has reached a certain degree of intensity,
pours out upon our active works some of its overflow.
And it is by contemplation that the soul goes to draw directly upon the Heart of God
for the graces which it is the duty of the active life to distribute.
And so, in the soul of a saint, action and contemplation merge together
in perfect harmony to give perfect unity to his life.”
Dom Jean-Baptist Chautard, p. 62
An Excerpt From
Soul of the Apostolate

fruits of our labors

You shall eat the fruit of the labor of your hands;
you shall be happy, and it shall be well with you.
Psalm 128:2

(bluebird on the peach tree / Julie Cook / 2017)

Tis the fruiting season…
that time of year when blooms are blooming, pollinators are pollinating, and fruits
are emerging…

And perhaps it is no coincidence that this is also the season that we mark those
most important passages of both age and time…
For this is also the season of graduation.

A time for the young and not so young scholars to begin the journey of bearing the fruits
of their long arduous labors.

Commencement ceremonies are abounding as prolifically as the springs flowers in bloom…
And so it is with this ultimate rite of passage that the speeches offered on behalf of
all graduates, those lofty words of inspiration and hope,
are flowing from the lips of the wise, the wizened, the sages, the politicals, the learned,
and the elder…
those who have been chosen to do so because of their seemingly wise years lived.

Yet I was taken aback yesterday when I listed to one such speech.
Troubled by the “wizened” offerings.

It was the speech delivered by Hillary Clinton to the graduates of her very own alma mater
Wellesley College in the small hamlet of Wellesley, Massachusetts.

Commencement speeches are intended to inspire those who have just spent the last
4, 6, 8, 10 or even more years laboring to get to this coveted position—
sitting in a crowd of look-a-likes…individuals all donned in black cap and gown,
sitting in a chair marking the time honored tradition of passing the torch as each
college and university readies to send forth its best and its brightest into the arms of
an awaiting world.

Hoping, nay expecting, that these new graduates will hence forth go outward,
sharing and prospering….
in hopes of making the world a better place…

Yet Mrs Clinton’s speech was not so much about hopefulness as it was about regret…
and that regret being her own.

Not only did she share the tale of her initial morose following the election with a bit of
comic relief regarding her long walks in the woods (we may remember the news story of
the young mother out walking the day following the election who literally came face to
face with then former candidate Clinton out seeking a bit of solace in the woods)
to the depressive ritual of cleaning out one’s closest while ending with her last little
quip that also… “Chardonnay helped”…

But it was her whipping up the crowd of these eager young women who were hanging on each
word uttered, each breath offered…that I found most troubling.

Clinton reminisced about having delivered a similar speech during her own graduation
at Wellesley as then President Nixon, who was accused of breaking Federal laws,
left office disgraced under the cloud of impeachment as she likened that past sad political time
to our very own current time…with the elephant in the room being the current sitting president…
all to a resounding hoot from her enraptured audience.

She next told the girls to be proud.
To be proud of their anger….

Maybe it’s just me but I don’t think fanning the flames of anger is something that boasts of
hope and bright futures but rather entrenches the thoughts of division, disrespect and alienation.
She was whipping the flames of all things defiant and all things of the resistance she is now
focused on leading with her latest “foundation” endeavors.

So not so much a speech highlighting the thought of what we can do to work together unifying
this great Nation of ours, but rather a speech hammering home the idea of discord…
A Nuremberg moment of great enthusiasm and fanfare yet disparaging about never getting over a
loss while spreading the rhetoric of anger, hate and mistrust.

So don’t go out bearing the fruit of your years of study having labored to acquire
vast skills and knowledge…
knowledge and skills that are suppose to help make this world a better place,
more prosperous, more hopeful and brighter for those who will come after you….
but rather go out as an angry militant, lashing out at any and all who you feel oppose
your views.
Be intolerant while emasculating the men in your lives, as you shout no we won’t
rather than yes we can…

It just seems that these are not the types of speeches that enrich our lives, but rather work
at tearing us apart…

Blessed is the man
who walks not in the counsel of the wicked,
nor stands in the way of sinners,
nor sits in the seat of scoffers;
but his delight is in the law of the Lord,
and on his law he meditates day and night.
He is like a tree
planted by streams of water,
that yields its fruit in its season,
and its leaf does not wither.
In all that he does, he prospers.
The wicked are not so,
but are like chaff which the wind drives away.
Therefore the wicked will not stand in the judgment,
nor sinners in the congregation of the righteous;
for the Lord knows the way of the righteous,
but the way of the wicked will perish.
Psalm 1

I want to sing

“If I cannot fly, let me sing.”
Stephen Sondheim

“Sing, then. Sing, indeed, with shoulders back, and head up so that song might go to the roof and beyond to the sky. Mass on mass of tone, with a hard edge, and rich with quality, every single note a carpet of colour woven from basso profundo, and basso, and baritone, and alto, and tenor, and soprano, and also mezzo, and contralto, singing and singing, until life and all things living are become a song.
Richard Llewellyn

(a tiny wren lifts his song skyward / Julie Cook / 2015)

Sing!
I want to sing!
I want to lift my voice to the Heavens!
I want to stand upon the roof top and shout my song to you!
I want you to hear me oh God of Heaven!
If I am not soon to let it out, everything within me will explode.

Yet I don’t know how to sing.
I don’t know how to make a pretty note.
Pitch is but a key quite off.
And Harmony is all but hidden.
There is no reading of music nor playing of sweet melodies.
How is there to be song if the sounds can’t be woven and spun?

Adoration and Praise
Lamentation and Sorrow
Exultation and Triumph
Meditation and Contemplation
How may such a lowly one express such mysteries to You?
How may prayer flow aloft carried only by the wind?

I will simply open my mouth
I will merely let the sound fall out
The Spirit Divine is who will carry my tune to You.
A Holy bearer of holy song will gently sing my song to you. . .

O what a miracle

O what a miracle is the presence of the divine heart
which foretold all creation.

With God’s gaze upon the face of man,
whom He formed,
He saw His entire works,
reflected in that same human form.

O what a miracle is this inspiration
by which humanity was awakened.
Hildegard von Bingen
translated from Latin to English by Norma Gentile

Balancing Act

“Your hand opens and closes, opens and closes. If it were always a fist or always stretched open, you would be paralysed. Your deepest presence is in every small contracting and expanding, the two as beautifully balanced and coordinated as birds’ wings.”
― Rumi

Be not angry that you cannot make others as you wish them to be, since you cannot make yourself as you wish to be.”
― Thomas à Kempis

(a poor mallard duck who was trying to nap as I took his picture / San Antonio, Texas along the River Walk / Julie Cook / 2014)

Life is our tightrope and we spend a lifetime furiously trying to balance our footing.
Too much lean to the left, or too much lean to the right equates to certain disaster.

Oddly ours is a society of excess.
Excess does not equate to balance.
If you should want for anything, you are encouraged to go for it. . . and if you should want more, then by all means, go for it again, and again, and again—until you get your fill.

Nope, not much balance in excess.

Any child can explain balance.
Eat too much candy, the consequences are not pleasant.
Therefore there must be a balance.
Some candy is good, too much candy is bad.

Yet it seems to be such a difficult process for most adults to wrap their heads around such a concept.

We are constantly robbing Peter to pay Paul.

Meaning we pull from certain areas of our lives in order to increase other areas. Shaving off time, resources, energies on one side, pouring it over to the other side, all in the name of efficiency and performance.

We rationalize the need for or lack of sleep by consuming massive amounts of heart jolting caffeine, reassuring ourselves that we’ll make up for our sleeplessness by rationalizing that we’re one of those folks who can get by with just 4 hours, or that we’ll sleep in on the weekends. Yet our weekends are so jam packed and our eyes so blood shot and our bodies so sluggish that sadly the sleep never comes.

We chronically lie to ourselves about our time—time spent with our children and family. We justify our absence by claiming it’s all in the name of love. We spend copious amounts of time away from the very individuals who need us most then scramble like mad trying to make up for it with overindulgences.

We bargain with our health as we constantly rationalize. . . “It’s okay if I binge on this or that. . .I’ll work it off at the gym tomorrow, I’ll drink lots of water and take some aspirin, I only do this on the weekends, I’ll have just one more, it’s not like I have to have it, You only live once, I’m only young once. . .”

There is no balance in rationalizing, lying and bartering.

Rather balance is the equity in our lives and it is the key to living harmoniously. And without balance and harmony, our lives become a dangerous journey on the tightrope.

Without balance there are repercussions and consequences.
Sadly we continue to believe we can simply put a band-aid on it all, pop another pill, down another energy drink, have another drink, tell our kids another tale, tell ourselves another lie. . .that it will all work out because eventually down the road, when we’re finally older or retired or thinner, or healthier, or more grounded, or more finically sound. . .then, finally then, our lives will even out.

Funny thing about that thought process, those evened out days never seem to come.
Things happen.
Life happens.
Our best laid plans get steamrolled, sidetracked and smashed.

The moral to this rambling tale you ask. . .
Simply put, balance—
And that means balance now! Not later, not down the road, but now!
Quit lying, bargaining, haggling with and to others, but more importantly, quit lying to yourself.

Balance
Harmony
Equity

The Balance of
Time
Work
Rest
Play
Prayer
Joy
Fellowship
Peace

May you find your balance— sooner than later.
Remember, later is never a guarantee.

My secret German love

Call it Feng Shui, Chi, Balance, harmony or simply symmetry–
however you wish to view it or to name it, it is me and I am it.
I don’t know if I came preprogrammed this way or not,
but I am a very symmetrically oriented person.
Equally weighted and equally balanced.
None of this asymmetrical business for me.

And so it goes when I work on my own art.

I have always loved working with watercolors…
I like working with people, birds, nests, eggs, and you name it.
However, all my life I have felt that I have really wanted / needed to create
some type of opus, some sort of monumental tribute to God.

Why is that you ask?

Well, I think people who have talents and gifts—
well, they just don’t plop out of the sky.
A gift is just that—a gift…and it is something someone has given to someone else.
God has given me much, so what little I can give back…
well I’ve wanted to do it with a visual piece of art.

I’ve spent a lifetime looking at the Italian Renaissance masters,
passing later on to the Northern Renaissance…
with then the Germans and Dutch masters.
Powerful artists, who not only mastered body and mass,
but captured the epitome of emotion.
I can find myself in tears, full of emotion, while staring at various pieces.
I love the works of the Italian Caravaggio (see post What is an Icon).
Caravaggio’s Conversion of St Paul, or as it is actually known,
The Conversion on the Way to Damascus… is but one such piece.

The space is tight; the figures juxtaposed with precarious lines of placement
and the use of light, crucial light—
oh Caravaggio’s use of light…
Critics argue about the use of space with the horse,
Paul /Saul, the groomsman, too many legs, not enough focus on Paul, etc.
I must disagree with the “critics” as I find it powerful.
Very powerful!

It is my belief that because this is a tremendous moment in time and
that it is somewhat crammed into a tight space as the horse seems to precariously
control his mighty weight so as to not step on Paul…
who is splayed out on the ground beneath him,
as a sword is dropped to the ground, just as the stricken figure of Paul/ Saul
lies now defenseless having been struck blind…
It is because of all of this and more that seems to make this big moment even bigger.
It’s a millimoment in time that is captured… and it works—or at least works for me.
It makes me feel overwhelmed and leads me to believe that I am witnessing something that is
shattering time.
Oh those Italians——always masters of emotion——
the wonderful excess of such.

However as far as an artist who captures raw emotion with such vivid use,
there is none more so, to me, than the German Matthias Grünwald.
Who you ask?
A German, not an Italian?
All I ever talk about is my love affair with all things Italian and here I am suddenly
coming out with a secret German love?!
Yes.
I confess, a secret German love.

Unfortunately there is not much to the history books regarding Matthias.
He is a bit of an enigma.
His last name is really not his real last name.
As it seems a 17th century biographer inadvertently added Grünwald.
It is believed his name was actually Matthias Gothardt Neithardt.
He was born in Würzburg in 1480 but even that comes under question.
Who he studied under, who studied under him, all remains but a mystery.

The one thing that is not a mystery is Grünwald’s use of emotion.
We must remember that the artists of Grünwald’s time operated in a time even before
the printed word.
Images were everything;
they spoke volumes to the viewer—–their works, their paintings,
were the You Tubes of the day.
And yes, I like art that evokes emotion, passion and feelings–
why stare at something that speaks of nothing?

It is Grünwald’s Isenheim Altarpiece that, for me, evokes that tremendous emotion.
(again see the post “What is an Icon” as I’m taking from that post a tad)

This is one of my most favorite images of the crucifixion,
as it shows not a languid image of an intact pretty European body of Christ seemingly
floating against a cross, but rather in contrast,
it shows in graphic, vivid detail the results of a deadly beating,
a body nailed, pierced, abused, now dead body in full rigor mortis—-
the altarpiece was commissioned for a hospital in Colmar (now France but originally in Germany)
for patients with various skin afflictions (most likely plague and leprosy and St Elmo’s fire).
Hope in suffering—
resurrection form death…
Glory and victory over sin.

It is believed that Matthias may have been a plague victim and perhaps he had seen the
Black Death up close and very personally…
leading to his apparent visual knowledge of the human body in the midst of the mystery
known as death.
It is also his vision of what transpires after that death which is also worthy of attention.

It is from my appreciation of Matthias, and other artists,
who can so realistically capture the emotional dramas of human life and death,
as well as the mystical beauty often found in illuminated manuscripts,
that has lead me on my own journey of exploration of such mysterious moments
in time through my use of the visual arts.

I started working on my “spiritual” pieces about 12 years ago.
They began with the idea of the cross, ancient medieval texts,
the use of biblical languages such as Hebrew, Latin, Greek, and Aramaic,
as well as the use of mysterious mystical images as teaching tools.

The latest piece is a Triptych—
hence my love and need for balance and the symbolism as captured most
respectfully in this piece for the blessed Trinity.
It is not complete.
This whole “retirement” issue threw me for a bit of a loop and the groove of my diligent
quest has been slightly sidetracked.
There is a monastery in Hulbert, Oklahoma, Our Lady of Clear Creek Abbey that I wish to
eventually donate the piece to—
they are a group of Benedictine monks,
originating out of Notre-Dame de Fontgombault,
a French Abbey, which belongs to the Solesmes Congregation.
I will write a later post about St. Benedict and the Rule of Benedict—–
a wonderful standard in which to conduct ones life.
I will also showcase the monks of Clear Creek Abbey.
http://clearcreekmonks.org/

I thought that during Holy Week,
it would be fitting that I share my love of God’s idea of symmetry
(Trinity/ Triptych/tri/three) with you, my viewing friends.