ora pro nobis—pray for us

So the religious soul finds in the heart of Jesus a secure refuge against
the wiles and attacks of Satan, and a delightful retreat.
But we must not rest merely at the entrance to the hole in the rock,
we must penetrate its depths. At the mouth of the deep hollow, at the mouth
of the wound in his side we shall, indeed, find the precious blood which
has redeemed us.
This blood pleads for us and demands mercy for us.
But the religious soul must not stay at the entrance.
When she has heard, and understood, the voice of the divine blood,
she must hasten to the very source from which it springs,
into the very innermost sanctuary of the heart of Jesus.
There she will find light, peace, and ineffable consolations.

St. Anthony of Padua


(a mysterious painting of St. Anthony and the Christ child)

The saints pick us, we don’t pick them…
Or so that’s what they say.

But firstly, let’s remember, this is going to be a story about a painting…
nothing more, nothing less…

For starters, I’ve stated this before…I am not a Catholic—rather I was raised in the
fold of the Episcopal Chruch…that of the Anglican Communion.

I am however familiar with the family of Saints.
A seemingly Catholic notion.
Yet also very Anglican…

Also, I love my traditional Anglican hymns…
One little hymn, in particular, I Sing a Song of the Saints of God
I loved singing that hymn when I was a little girl attending children’s chapel.

Saints, in my youthful mind, were individuals who loomed large in our Christian Faith.
Brave, and even stoically defiant, in the face of persecution.
Some had been ardent unbelievers or dastardly sinners who had, for whatever reason,
come face to face with the God of all Creation and in turn, fell into His redeeming arms,
never looking back but rather becoming ardent defenders of the faith.

It was always the 3rd stanza of the hymn that offered me a sense of hopefulness that I too
could one day be counted among that same fold of brave Christian individuals.

they lived not only in ages past;
there are hundreds of thousands still;
the world is bright with the joyous saints
who love to do Jesus’ will.
You can meet them in school, or in lanes, or at sea,
in church, or in trains, or in shops, or at tea;
for the saints of God are just folk like me,
and I mean to be one too.

I also know that when one is confirmed within the Catholic Chruch,
they are encouraged to choose a patron saint.
A heavenly individual who will walk alongside them as they navigate the world…
all the while the saint helps to provide inspiration along with a more spiritual focus.

The old saying goes, ‘you don’t pick the saint, the saint picks you.’

And I must admit, I actually agree.

We Protestants haven’t always quite understood the relationship our Catholic kin
have had with the Saints, but I’m one who has always appreciated that little relationship.
And that’s in part due to my Anglican upbringing.
As well as spending years in college studying religious Renaissance Art.

So no, it’s not an attempt at replacing Jesus as the focus of our prayers, praise,
and adoration but rather it’s more like having a few more folks in one’s corner
it’s just that those folks are a bit more heavenly than earthly.

Think of it like having a close friend who joins you in prayer and
who walks along by your side…it’s just that they’re there in spirit rather than
in the flesh.

But this isn’t a post about the virtues or vices of Saints in our lives…
rather this is a post about a painting…a painting of a saint…

Well, sort of…

The saint in question is Saint Anthony of Padua, otherwise known as
Santo Antonio di Padova.

Anthony was born Fernando Martins de Bulhões in Lisbon, Portugal in 1195.
Eventually, he became a Franciscan Friar, making Padua (Padova), Itlay home.

He is known as the patron saint of lost things.

But again, this is not necessarily to be a biographical post, just a post
about a painting…

I have had a long connection with St Anthony—one I’ve written about before.
But this particular tale is unlike our other run-ins and lingering relationship.

So just know, Santo Antonio and I have a history.
But this story isn’t about that story, but rather about a painting.

Several months ago, I took a couple of my grandmother’s old lamps over to Atlanta
in order to have then rewired.

They are lovely antique lamps that have just sat, never being used due to ancient
and most dangerous wiring.
My grandfather, who was an electrical engineer would, as a hobby, often turn the
antiques figurines or urns that my grandmother would bring home into lamps…
and so some of these lamps haven’t been updated in decades.
So I figured it was high time I got them up to speed so I could actually use them.

A friend of mine recommended a nice little lamp shop located over in Midtown…
and it just so happened that the shop also had a hodgepodge smattering of antiques.

I made several trips back and forth as I also decided that I needed to update a few lampshades.
Over the course of my visits, the owners and I struck up a nice little friendship.

We knew mutual old Atlanta stories and they knew some customers from Carrollton who
I knew.
Life can be delightfully small like that.

During one of my many trips over, one day my eye suddenly gravitated to an old beat-up
unframed oil painting perched all alone over in a forgotten corner.

The painting was ripped, chipped and cracking as the canvas was coming
untacked from the wooden base frame.
It was old, it was sad and it was unloved…
and it oddly drew me in.

Or rather it was the subject matter which immediately drew me in.

I asked the owners if they would consider selling the picture.

They said yes and it was actually a very affordable penance of a price for such an old painting.

Next they proceeded to tell me the story of how they came about the painting.

It seems that back in the early 1920s, The Vatican reached out to an Abbey in Michigan
about sending them approximately 50 paintings.
Why I’m not certain, but I do know that it was not uncommon for the Vatican to
‘lighten the load’ so the speak by gifting various abbeys, monasteries and churches
with some of their burgeoning collection of artwork.

The abbey kept the paintings until recently.

A nun from the abbey, out of the blue, reached out to these owners…
as it seems that one of the owners has a proclivity for antique
paintings and is known for such.

The nun explained how the abbey had gotten the paintings
but for a reason I never caught in this convoluted tale, asked if they’d be interested in
buying any of the paintings.

When they hung up the phone with the nun, they immediately rented a U-haul and drove
all night to Michigan.

They bought all 50 paintings and brought them back to Atlanta.

Many of the paintings have in turn been sold or were simply kept.

All but the one painting that had caught my eye—sadly because it
was most likely the one in the worst shape.

But that didn’t matter to me.
The painting called out to me and I couldn’t resist.

What I was planning on doing with a dilapidated,
torn old painting was beyond my husband’s soul…
but it mattered not, the painting had called to me.

A few weeks after bringing home my new old broken treasure,
my husband and I ventured down to a small town outside of
Callaway Gardens to spend an afternoon roaming around and having lunch.

I wandered into an antique shop and started looking at a couple of old frames that were for sale.
The owner asked what I had in mind for the frame.
That was when I began to share my tale about my painting and how I was looking for a frame.

She asked if I would consider bringing her the painting as she had a friend who actually
did restoration work on old paintings.

I agreed.
I was curious as to its background and there was just something about the painting
that seemed to plead with me to please bring it back to life.

I think that comes from spending a lifetime as an Art teacher

The short of this long story…we finally picked up the painting today…
It is estimated to be almost 200 years old.
It has been lovingly repaired, cleaned, re-stretched
and now rests in a pretty new frame…nearly 3 months after
I first saw it sitting alone in a corner.

So tomorrow, the painting of Santo Antonio will finally be hung up, surrounded by things
received and gathered during a lifetime of running into St Anthony.

I don’t know its origin.
I don’t know its artist.
I don’t know if the Vatican ever really once owned it or not.
And I don’t know the abbey that held on to it all these years.
I really don’t know anything about it…only but one thing…
it seems that saints find us, we don’t find them…

“I have learned on this journey that we can’t only study the saints who have personalities
or interests exactly like our own.
Our friends, including our Heavenly ones, should challenge us and help us to grow.
In seeing what we lack in our own lives, we are able to forge ahead and grow.
If we never seek out our defects or weaknesses, then we can never begin to overcome them.
So be open to saints who choose you and want to befriend you.
It is God moving in your life through His saints.
There is something you need to learn or I need to learn.
Let us be thankful for the saints who choose us through no merit of our own.
All you holy men and women, ora pro nobis.”

Constance T.Hull
Catholic Exchange

Santa Julia

I sing a song of the saints of God,
patient and brave and true,
who toiled and fought and lived and died
for the Lord they loved and knew.

excerpt from the hymn
I Sing a song of the Saints of God
Lesbia Scott 1898


(when your name is officially Julia and you see a wine named after you, well…..)

It was a very long day….
followed by the very long exhale from years of burden.

More about all of that later…
As we’re just in the middle of a huge change of life’s seasons…

So late this afternoon, when I was dashing in a store in Atlanta
in order to pick up something for supper,
I spied this little bottle of wine…and since it had my name on it…
well, it seemed like a destiny sort of thing…

Thus in turn, I offer us all a little background lesson on Saint Julia….

Saint Julia

Virgin, Martyr
Patron of Corsica
(Fifth century)

Saint Julia was a noble virgin of Carthage, who, when the city was taken
by Genseric in 439, was sold for a slave to a pagan merchant of Syria.
In the most mortifying employments of her station,
by cheerfulness and patience she found a happiness and comfort which the world could not give.
Whenever she was not employed in household affairs,
her time was devoted to prayer and reading books of piety.

Her master, who was charmed with her fidelity and other virtues,
thought proper to take her with him on one of his voyages to Gaul.
When he reached the northern part of Corsica,
he cast anchor and went ashore to join the pagans of the place in an idolatrous festival.
Julia was left at some distance,
because she would not be defiled by the superstitious ceremonies,
which she openly spurned. The governor of the island, Felix,
a bigoted pagan, asked who this woman was who dared to insult the gods. T
he merchant informed him that she was a Christian,
and that all his authority over her was too weak to prevail upon her to renounce her religion;
nonetheless, he found her so diligent and faithful he could not part with her.
The governor offered him four of his best slaves in exchange for her.
But the merchant replied, No; all you are worth will not purchase her;
for I would lose the most valuable thing I have in the world rather than be deprived of her.

Nonetheless Felix, while the inebriated merchant was asleep,
attempted to compel her to sacrifice to his gods.
He offered to procure her liberty if she would comply.
The Saint made answer that she was as free as she desired to be,
as long as she was allowed to serve Jesus Christ.
The pagan, offended by her undaunted and resolute air,
in a transport of rage caused her to be struck on the face,
and the hair of her head to be torn off.
Finally he ordered her to be hanged on a cross until she expired.
Certain monks from the isle of Gorgon transported her relics there,
but in 763 the king of Lombardy transferred them to Brescia,
where her memory is celebrated with great devotion.

Reflection.
Saint Julia, whether free or a slave,
whether in prosperity or in adversity, was equally fervent and devout.
She adored all the sweet designs of Providence;
and far from complaining, she never ceased to praise and thank God for all His holy designs.
God, by an admirable chain of events,
raised her by her fidelity to the honors of a Saint, and to the dignity of a virgin and martyr.

Little Pictorial Lives of the Saints,
a compilation based on Butler’s Lives of the Saints and
other sources by John Gilmary Shea (Benziger Brothers: New York, 1894).