ora pro nobis—pray for us

So the religious soul finds in the heart of Jesus a secure refuge against
the wiles and attacks of Satan, and a delightful retreat.
But we must not rest merely at the entrance to the hole in the rock,
we must penetrate its depths. At the mouth of the deep hollow, at the mouth
of the wound in his side we shall, indeed, find the precious blood which
has redeemed us.
This blood pleads for us and demands mercy for us.
But the religious soul must not stay at the entrance.
When she has heard, and understood, the voice of the divine blood,
she must hasten to the very source from which it springs,
into the very innermost sanctuary of the heart of Jesus.
There she will find light, peace, and ineffable consolations.
St. Anthony of Padua

(a mysterious painting of St. Anthony and the Christ child)

The saints pick us, we don’t pick them…
Or so that’s what they say.

But firstly, let’s remember, this is going to be a story about a painting…
nothing more, nothing less…

For starters, I’ve stated this before…I am not a Catholic—rather I was raised in the
fold of the Episcopal Chruch…that of the Anglican Communion.

I am however familiar with the family of Saints.
A seemingly Catholic notion.
Yet also very Anglican…

Also, I love my traditional Anglican hymns…
One little hymn, in particular, I Sing a Song of the Saints of God
I loved singing that hymn when I was a little girl attending children’s chapel.

Saints, in my youthful mind, were individuals who loomed large in our Christian Faith.
Brave, and even stoically defiant, in the face of persecution.
Some had been ardent unbelievers or dastardly sinners who had, for whatever reason,
come face to face with the God of all Creation and in turn, fell into His redeeming arms,
never looking back but rather becoming ardent defenders of the faith.

It was always the 3rd stanza of the hymn that offered me a sense of hopefulness that I too
could one day be counted among that same fold of brave Christian individuals.

they lived not only in ages past;
there are hundreds of thousands still;
the world is bright with the joyous saints
who love to do Jesus’ will.
You can meet them in school, or in lanes, or at sea,
in church, or in trains, or in shops, or at tea;
for the saints of God are just folk like me,
and I mean to be one too.

I also know that when one is confirmed within the Catholic Chruch,
they are encouraged to choose a patron saint.
A heavenly individual who will walk alongside them as they navigate the world…
all the while the saint helps to provide inspiration along with a more spiritual focus.

The old saying goes, ‘you don’t pick the saint, the saint picks you.’

And I must admit, I actually agree.

We Protestants haven’t always quite understood the relationship our Catholic kin
have had with the Saints, but I’m one who has always appreciated that little relationship.
And that’s in part due to my Anglican upbringing.
As well as spending years in college studying religious Renaissance Art.

So no, it’s not an attempt at replacing Jesus as the focus of our prayers, praise,
and adoration but rather it’s more like having a few more folks in one’s corner
it’s just that those folks are a bit more heavenly than earthly.

Think of it like having a close friend who joins you in prayer and
who walks along by your side…it’s just that they’re there in spirit rather than
in the flesh.

But this isn’t a post about the virtues or vices of Saints in our lives…
rather this is a post about a painting…a painting of a saint…

Well, sort of…

The saint in question is Saint Anthony of Padua, otherwise known as
Santo Antonio di Padova.

Anthony was born Fernando Martins de Bulhões in Lisbon, Portugal in 1195.
Eventually, he became a Franciscan Friar, making Padua (Padova), Itlay home.

He is known as the patron saint of lost things.

But again, this is not necessarily to be a biographical post, just a post
about a painting…

I have had a long connection with St Anthony—one I’ve written about before.
But this particular tale is unlike our other run-ins and lingering relationship.

So just know, Santo Antonio and I have a history.
But this story isn’t about that story, but rather about a painting.

Several months ago, I took a couple of my grandmother’s old lamps over to Atlanta
in order to have then rewired.

They are lovely antique lamps that have just sat, never being used due to ancient
and most dangerous wiring.
My grandfather, who was an electrical engineer would, as a hobby, often turn the
antiques figurines or urns that my grandmother would bring home into lamps…
and so some of these lamps haven’t been updated in decades.
So I figured it was high time I got them up to speed so I could actually use them.

A friend of mine recommended a nice little lamp shop located over in Midtown…
and it just so happened that the shop also had a hodgepodge smattering of antiques.

I made several trips back and forth as I also decided that I needed to update a few lampshades.
Over the course of my visits, the owners and I struck up a nice little friendship.

We knew mutual old Atlanta stories and they knew some customers from Carrollton who
I knew.
Life can be delightfully small like that.

During one of my many trips over, one day my eye suddenly gravitated to an old beat-up
unframed oil painting perched all alone over in a forgotten corner.

The painting was ripped, chipped and cracking as the canvas was coming
untacked from the wooden base frame.
It was old, it was sad and it was unloved…
and it oddly drew me in.

Or rather it was the subject matter which immediately drew me in.

I asked the owners if they would consider selling the picture.

They said yes and it was actually a very affordable penance of a price for such an old painting.

Next they proceeded to tell me the story of how they came about the painting.

It seems that back in the early 1920s, The Vatican reached out to an Abbey in Michigan
about sending them approximately 50 paintings.
Why I’m not certain, but I do know that it was not uncommon for the Vatican to
‘lighten the load’ so the speak by gifting various abbeys, monasteries and churches
with some of their burgeoning collection of artwork.

The abbey kept the paintings until recently.

A nun from the abbey, out of the blue, reached out to these owners…
as it seems that one of the owners has a proclivity for antique
paintings and is known for such.

The nun explained how the abbey had gotten the paintings
but for a reason I never caught in this convoluted tale, asked if they’d be interested in
buying any of the paintings.

When they hung up the phone with the nun, they immediately rented a U-haul and drove
all night to Michigan.

They bought all 50 paintings and brought them back to Atlanta.

Many of the paintings have in turn been sold or were simply kept.

All but the one painting that had caught my eye—sadly because it
was most likely the one in the worst shape.

But that didn’t matter to me.
The painting called out to me and I couldn’t resist.

What I was planning on doing with a dilapidated,
torn old painting was beyond my husband’s soul…
but it mattered not, the painting had called to me.

A few weeks after bringing home my new old broken treasure,
my husband and I ventured down to a small town outside of
Callaway Gardens to spend an afternoon roaming around and having lunch.

I wandered into an antique shop and started looking at a couple of old frames that were for sale.
The owner asked what I had in mind for the frame.
That was when I began to share my tale about my painting and how I was looking for a frame.

She asked if I would consider bringing her the painting as she had a friend who actually
did restoration work on old paintings.

I agreed.
I was curious as to its background and there was just something about the painting
that seemed to plead with me to please bring it back to life.

I think that comes from spending a lifetime as an Art teacher

The short of this long story…we finally picked up the painting today…
It is estimated to be almost 200 years old.
It has been lovingly repaired, cleaned, re-stretched
and now rests in a pretty new frame…nearly 3 months after
I first saw it sitting alone in a corner.

So tomorrow, the painting of Santo Antonio will finally be hung up, surrounded by things
received and gathered during a lifetime of running into St Anthony.

I don’t know its origin.
I don’t know its artist.
I don’t know if the Vatican ever really once owned it or not.
And I don’t know the abbey that held on to it all these years.
I really don’t know anything about it…only but one thing…
it seems that saints find us, we don’t find them…

“I have learned on this journey that we can’t only study the saints who have personalities
or interests exactly like our own.
Our friends, including our Heavenly ones, should challenge us and help us to grow.
In seeing what we lack in our own lives, we are able to forge ahead and grow.
If we never seek out our defects or weaknesses, then we can never begin to overcome them.
So be open to saints who choose you and want to befriend you.
It is God moving in your life through His saints.
There is something you need to learn or I need to learn.
Let us be thankful for the saints who choose us through no merit of our own.
All you holy men and women, ora pro nobis.”
Constance T.Hull
Catholic Exchange

A bookstore, a war and a reunion….

“Be swift as a gazelle and strong as a lion to do the will of God in Heaven.”
(as seen on the ex libris of a book looted by the Nazi’s, a reference to
a line form the Mishnah, the Jewish redaction of oral traditions:
Andres Rydell The Book Thieves)

(the interior of a book store in Padova, Italy (Padua) / Julie Cook / 2007)

Today’s tale began many years ago, when my aunt and I found ourselves wandering
and weaving up and down the snake-like alley streets twisting through the old historic district of Padua, Italy…
better known to the Italians as Padova.

We were actually en route from Milan to Florence and opted to stop over for 3 days
in order to explore this deeply rich historical city.
And it just so happened that during our stay, during this particular mid June,
it was the height of the city’s yearly commemoration of Saint Anthony.

Padua is home to the Basilica Pontificia di Sant’Antonio di Padova, or the Pontifical Basilica of St. Anthony of Padua—a massive and beautiful church built to honor the Portuguese born saint who settled in Italy, making Padua his adopted home.
The building of the basilica was begun  in 1232, a year following Saint Anthony’s
death, and was finally completed in 1310—with modifications taking place in both
the 14th and 15th centuries.

It was a wonderful experience being a part of such a festive atmosphere, as
thousands of Catholics worldwide flock to this small Northern Italian town for
the June 13th feast day—
The city goes all out to make a colorfully vibrant yet equally respectfully spiritual
time for the thousands of pilgrims and tourists who flock to this city just south of Venice.

There are parades where the various ancient guilds are dressed in period costume as children, nuns, priests, monks and lay people march solemnly through the
narrow ancient streets all carrying flags as residents drape banners from their windows.

Yet Padua is more than just a spiritual hub, it is also very much of an intellectual
hub as it is home to the University of Padua, one of Europe’s oldest universities,
having been founded in 1222.
It is here where Galileo Galilei spent 18 years, of what he has described as being
the happiest years of his life, while he was the head of the Mathematics Department…
teaching, studying, lecturing and writing.

Italy, so rich in history, also happens to have a wonderful history with
paper making as well as bookmaking.
And Padua has its fair share of both fascinating and beautifully rich paper
as well as book shops–shops selling books, antique lithographs and rare prints.

It is said that after Spain, Italy is where paper making actually had its start.
It was most likely introduced to southern Italy by the Arabs who had in turn first
learned the craft from the Chinese.
Arab influence, particularly in architecture, can still be seen in and around the
Veneto region.

So it was during our visit, as we were wandering about one evening following supper,
that we saw the book store I’ve included in today’s post. The store was closed for the night and as we were going to have to be at the train station bright and early the following morning, I knew I would only get to visit this store by pressing my nose
to the window.

All these many years later, I still think about that store.

It had a wealth of what I surmised to be rare antique and ancient books.
Books, despite the language barrier, beckoned for my further investigation.
I would have easily considered giving up my train ticket to Florence just to be able
to wander in, dig and explore….
but it would take years for me to actually understand the draw as to what I would
be digging and looking for….
And as Life so often has her way, time has simply afforded for my wistful musing of
what might have been.

Having finally finished reading The Book Thieves by Anders Rydell,
the image of that book store in Padua has drawn me back time and time again
as I made my way through Rydell’s book. There is a very strong pull to go back
to look, to seek and to wonder.

There are not words nor adjectives enough for me to do justice to the meticulous story
Rydell lays out as he recounts the Nazi’s scrupulous, maniacal and highly
calculated quest to en masse the books of the all of Europe and Russia with
a keen penchant for those of the Jews.
Not only did they attempt to eradicate an entire race of people, they wanted
to hold, own and control the entire literary word of man—
particularly that of religion, science and history.
As they saw themselves as the new keepers of the history of humankind.

Millions and millions of books, both precious and random were taken…as myriads
are now lost or destroyed for all of time.

The Nazis had a detailed system for categorizing the stolen books.
And many of the books that are now scattered across the globe…
be they in large University libraries or small college collections,
to the random bookshop or second hand store—
many of those books still bare the labels of the Nazi’s numerical filing system.

The long arduous journey of Rydell’s very sad, horrific and overwhelming tale ends
in England with his actually reuniting a granddaughter, Christine Ellse, with a lone
little random book that had belonged to her grandfather–
a man she had never known personally but knew he had died in Auschwitz.
There were never any photographs, no sounds, no memories of a the man
this now grown woman so longed to know.

“Although I’m a Christian I have always felt very Jewish.
I’ve never been able to talk about the Holocaust without crying.
I feel so connected to all of this,” says Ellse,
opening the book and turning the pages for a while before she goes on.

“I’m very grateful for this book, because…I know my English grandparents
on my mother’s side.
They lived and then they died.
It was normal, not having any grandparents on your father’s side.
Many people didn’t, but there was something abnormal about this.
I didn’t even have a photograph of them.
There was a hole there, an emotional vacuum, if you see what I mean.
There was always something hanging midair, something unexpressed,”
Ellse says, squeezing the book.

“You know, my father never spoke about this.
About the past, the war.
But my aunt talked about it endlessly, all the time.
She was the eldest of the siblings, so she was also the most ‘German’ of them.
She coped with it by talking;
my father coped with it by staying silent about it.
I knew already when I was small that something horrible had happened.
I knew my grandparents had died in the war.
Then I found out they’d been gassed, but when you’re a child you don’t
know what that means.
It’s just a story—you don’t understand it.
Then I learned they’d died at Auschwitz. Only after I grew up did I begin to understand and get a grip on it.
It was very difficult when I found out they’d been murdered just ten days
before the gas chambers were shut down.
It was agonizing.
I imagine myself sitting on that train, experiencing the cold and the hunger.
And then straight into the gas chambers.
I’ve never able to get over it.”

Historian Patricia Kennedy Grimstead, a woman with a mission to see that war plunder is eventually reunited with families, notes that “millions of trophy books–although no one can say how many there are—will remain as ‘prisoners of war,”
Today, in Russia, there is no willingness to return books to the countries or families
that were plundered. But we still have to know what books are still represented there
from Europe’s cultural inheritance, a monument to the libraries that were destroyed
and scattered as a consequence of the most terrible war in human history.”

And so my mind wanders now back to that bookstore in Padua—
what book, if any, was there that had once been someone’s personal book
before madness took it away…
a book I now wish I could have found, in order to have brought it back home
to its rightful family.

The Lord will afflict you with madness, blindness and confusion of mind.
At midday you will grope about like a blind person in the dark.
You will be unsuccessful in everything you do;
day after day you will be oppressed and robbed, with no one to rescue you….

All these curses will come on you.
They will pursue you and overtake you until you are destroyed,
because you did not obey the Lord your God and observe the commands
and decrees he gave you.
They will be a sign and a wonder to you and your descendants forever.
Because you did not serve the Lord your God joyfully and gladly
in the time of prosperity, therefore in hunger and thirst,
in nakedness and dire poverty,
you will serve the enemies the Lord sends against you.
He will put an iron yoke on your neck until he has destroyed you.
Deuteronomy 28:28-29, 45-48

Taking the hidden path

“Still round the corner there may wait
A new road or a secret gate,
And though I oft have passed them by,
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.”
J.R.R. Tolkien

(Photograph: Padova, Italy/ Julie Cook / June 2007)

On this new morning of this new week, may you be ready and willing to travel down or up the new road(s) you find placed before you. May you be ready for any and all new adventures. Is there an unfamiliar closed door in front of you? Do not be afraid to open it…for behind that door, ’round that corner is a new journey, a new adventure, a new experience(s) waiting on you. I pray you have the courage to go forward. My principal use to always tell us, his teachers, if you aren’t moving forward, you’re only moving backwards. Plan on going forward–today!

The mystery and adventure found in an old friend

“A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. So the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion”
–Umberto Eco

(Photograph: Padova, Italy–Padua to English speakers–Julie Cook / June 2007)

I thought this quote by the Italian author appropriate as this picture is taken of the interior of a very old bookshop in Padova, Italy (Padua to English speakers). I wish I had a room in my house that looked like this—there are bountiful mysteries and treasures to be found and unearthed amongst all of these very old and ancient books precariously perched on equally old wooden shelves. Padova is known for its array of antique “paper” shops–be it book, map, or early engravings–there is a treasure trove of shops waiting to be explored.

I love old places like this shop as they have so much to offer the curious—not only from the books themselves and their stories, but from the items perhaps tucked away hiding between the pages of each old tome—leaving me wondering who once may have owned or held one of these particular old books…There is the immediate smell upon entering such a shop–the unmistakeable scents of dust and time emanating from of an old shop housing either old papers, maps, books or art–a bit of must and mildew, the endless battle a book lover/paper lover has with the Elements protecting all from the ravages of time– preserving the ancient for the inquisitive browser such as myself.

New or old, I love a “real” tangible book—none of this e-reader business for me. I love the feel of the binding–perhaps soft leathers, and often the brittle pages of yellowed paper, the smells– often musty, the visual, as well as tactile, relationship a reader develops with a book in hand, turing each page either carefully as not to tear the fragile sheet, or as in quickly, as not being able to wait to read what comes next….it’s as if you are sitting with a dear old friend of whom there is familiarity, ease and comfort.

It’s predicted to pour down from the heavens all weekend–torrential rain—this will be a wonderful opportunity to park myself on the couch complete with a cup of hot tea, and one of the myriad of books waiting for me to pick them up, introduce myself and develop a deep kindred connection—oh for the stories I will read and the places I will be transported to–all from a single book. Happy reading this rainy weekend.