St Stephens Day

You desire that which exceeds my humble powers,
but I trust in the compassion and mercy of the All-powerful God.

Saint Stephen


(portion of the Demidoff Altarpiece 1476 / The National Gallery / London, England)

In the Acts of the Apostles, St. Luke praises St. Stephen as
“a man full of faith and the Holy Spirit,” who
“did great wonders and signs among the people”
during the earliest days of the Church.

Luke’s history of the period also includes the moving scene of Stephen’s death –
witnessed by St. Paul before his conversion –
at the hands of those who refused to accept Jesus as the Jewish Messiah.

Stephen himself was a Jew who most likely came to believe in Jesus
during the Lord’s ministry on earth. He may have been among the 70 disciples
whom Christ sent out as missionaries, who preached the coming of God’s kingdom while traveling with almost no possessions.

This spirit of detachment from material things continued in the early Church,
in which St. Luke says believers “had all things in common”
and “would sell their possessions and goods and distribute the proceeds to all,
as any had need.”

But such radical charity ran up against the cultural conflict between
Jews and Gentiles, when a group of Greek widows felt neglected
in their needs as compared to those of a Jewish background.

Stephen’s reputation for holiness led the Apostles to choose him,
along with six other men,
to assist them in an official and unique way as this dispute arose.
Through the sacramental power given to them by Christ,
the Apostles ordained the seven men as deacons,
and set them to work helping the widows.

As a deacon, Stephen also preached about Christ as the fulfillment of the
Old Testament law and prophets. Unable to refute his message,
some members of local synagogues brought him before their religious authorities,
charging him with seeking to destroy their traditions.

Stephen responded with a discourse recorded in the seventh chapter of the Acts
of the Apostles.
He described Israel’s resistance to God’s grace in the past,
and accused the present religious authorities of “opposing the Holy Spirit”
and rejecting the Messiah.

Before he was put to death, Stephen had a vision of Christ in glory.
“Look,” he told the court,
“I see the heavens opened and the Son of Man standing at the right hand of God!”

The council, however, dragged the deacon away and stoned him to death.

“While they were stoning Stephen, he prayed, ‘Lord Jesus, receive my spirit,’”
records St. Luke in Acts 7.
“Then he knelt down and cried out in a loud voice,
‘Lord, do not hold this sin against them.’
When he had said this, he died.”

The first Christian martyrdom was overseen by a Pharisee named Saul –
later Paul, and still later St. Paul –
whose own experience of Christ would transform him into a believer,
and later a martyr himself.

—Catholic News Agency

won’t back down

“You can stand me up at the gates of Hell,
but I won’t back down!”

Tom Petty


(rod iron fence to Colonial Cemetery / Savannah, Ga / Julie Cook / 2016)

The first official Christian martyr, or protomartyr,
was Stephen, who was killed in 36 AD.

What we know about Stephen comes to us from the Book of Acts.

A Greek speaking foreign born Jew, Stephen was elected to serve as a deacon to his community. Stephen, along with others, had appealed to the apostles that the
elderly widows within their community were being passed over and forgotten.
So Stephen, along with 6 others, were elected as official deacons who would in turn
attend to these elderly widows.

Yet Stephen was also known for being quite the evangelist.
He was an ardent speaker and witness of a new faith based on the teachings
of Jesus of Nazareth.
Stephen was known to lead many Jews to conversion.

Now we must remember that Stephen was both a Jew, born and raised,
as well as a follower of the Resurrected Christ.
A conundrum in dry and dusty Palestine.
As a Jew, he was still expected to answer to the Jewish governing body.

It was however his gift of speech and witness, along with the numerous conversions
of Jews, that would lead to Stephen’s swift demise.

Stephen was brought before the ruling Sanhedrin on charges of blaspheming.
The council believed Stephen to be nothing more than a heretic.

Eloquently, standing before the tribunal, Stephen presented his case as he spoke
of a natural and holy thread of events spiraling down through the ages as he linked
Abraham, Moses, Solomon, the Temple, David and finally culminating with Jesus Christ–
the inevitable final link in the chain.

Stephen continued explaining that the true Son of God who will come again to
judge both the living and the dead….
As he told those gathered that God’s kingdom was not to be found here on earth and
was not to be found in manmade buildings such as the Temple or in earthly accumulated treasures but rather was to be found only in the the risen Son.

Stephen closed his testimony by turning his gaze upward while announcing to those
gathered that
“I see heaven open and the Son of Man standing at the right side of God!”
(Acts 7:58)
At which point the members of the council descended into chaos as they shouted and
covered their ears against hearing such seditious and heretical talk.

Shadows of Caiaphas tearing his clothes over the words of Jesus…
“You have said so,” Jesus replied. “But I say to all of you:
From now on you will see the Son of Man sitting at the right hand of the
Mighty One and coming on the clouds of heaven.”

Matthew 26:64

Stephen was immediately sentenced death…being stoned to death.

Remember this was the time of pre Christian Paul–rather this was the dangerous
time of Saul, Paul’s ‘old man’ of persecution and hate…
For it was Saul who was the agent who took keen personal interest in crushing
any and all ‘heretics’ who were promoting the teaching of the crucified Nazarene.

It was Saul who paved the way for Stephen’s death and it was Saul who approved it.

Now imagine if you will what would have happened if Stephen had recanted
his teachings?
What would have happened had Stephen been frightened by the knowledge that he would
be sentenced to death.
What if the thought of having people throwing rocks at him until he died…
a death brought about slowly and painfully from rocks beating against his body,
what if the thought of such a horrific death made him change his mind?
What would have happened had he thought it would best, be easier, if he just opted
to cooperate and renounce his preachings?

What example would be set?
What presedent would then be set as a witness to other followers.
What if other followers had been too afraid?
Afraid for their own physical wellbeing and the wellbeing of their families?
How would those decisions of so long impact today?

But Stephen had seen Christ in all His glory—
there was no backing down.
There was no turning back.
He would stand against the gates of Hell and he would not back down.

…..and it was this tale of Stephen and the sacrifice of faith that came
flooding front and center to my thoughts when I read the follwing
words offered by the Scottish Pastor David Robertson regarding the latest
news coming out of both England and Scotland regarding the Anglican Church.

“The Anglican Church is officially distancing itself from biblical and historic Christianity.”
David Robertson

Whoa!

The Church, the very bride of the Christ the groom, is actually distancing herself
from Jesus Christ???!!
As she is currently turning away from the Word of the God and the tenants of Biblical teaching… choosing rather instead to go the way of the current culture gods….

We are at present witnessing the Church of Western Civilization turning herself
away from her very foundation and yet thankfully, at the same time, we are witnessing
the Church of Africa rising powerfully to the defense and forefront of that same faith…
steeped in the Truth of God’s word….

The Bishop of Uganda has addressed this very issue….

“Archbishop “The British sent missionaries to Africa in the 19th Century telling us to trust the Bible as the Word of God, now they are telling us not to”
Archbishop of Uganda

“It is one way, Henry Orombi says,
of keeping faith with those long-ago Englishmen in muttonchop whiskers who brought
the church to Africa.
“A hundred or so years ago, the fire was in the Western world,” Orombi says.
“And many of their great people went over to the countries in the Southern Hemisphere,
and reached out there, and planted seeds there.
And then things changed in the Northern Hemisphere. . . .
It now looks like the Western world is tired and old.
But, praise God, the Southern Hemisphere,
which is a product of the missionary outreach,
is young and vital and exuberant.
So, in a way, I think that what God has done is he took seeds and he planted them
in the Southern Hemisphere, and now they’re going to come back,
right to the Northern Hemisphere.
It is happening.
It is happening.”
(excerpt from an article in The New Yorker / A Church Asunder April 2017)

As I pray that Bishop Orombi is correct…

May those of us of the Faith, as we find ourselves now standing against the
very gates of Hell, may we hold fast to God’s word, being not afraid of what the world
may do to us as we continue to proclaim His Glory…

And I tell you that you are Peter, and on this rock I will build My church,
and the gates of Hell will not prevail against it.

Matthew 16:18

Do the impossible

“Start by doing what’s necessary; then do what’s possible; and suddenly you are doing the impossible.”
St. Francis of Assisi
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This photograph is an image of one of the beautiful Umbrian valleys surrounding the peaceful hill town of Assisi. The view of this sweeping valley is one that Francesco Bernardone, later known simply as St. Francis, gazed upon most assuredly, often. There is indeed a serenity to this area of Italy, as it issues, beckoning and inviting, a whisper that seductively yet warmly calls out to anyone who is restless of spirit.

I imagine that a young Francesco often retreated to these hills, forlorn and heavy of heart, as he wrestled within himself….the young troubadour and dandy whose days and nights were idly filled with shallow friends and raucous wanton carousing…and yet, all the while inwardly, Francesco was so very heavy with conflicting emotions. A crisis of self. A crossroads with soon to be explosive results.

What better place to contemplate ones life.

The air heavy with the scent of jasmine, the wind gently stirring the grasses covering the endless hillsides as the sun radiantly sparkles in a deep Giotto blue sky. I imagine our young Francesco laying on his back nestled in the swaying grass, arms folded behind his head, gazing skyward wondering why he was so unhappy. Fretful, unsettled, burdened.

When God calls, there is no stopping what then follows… we can never go back and we can never be the same. We may run as hard and as fast as we can in the opposite direction. We run out of fear and even out of anger. We fight the call by denying His very existence–we go to the brink of the abyss, but He will stand fast…waiting.

The conflict within will come to a crashing crescendo. The chaos colliding with the Divine. The old self must die giving way to a new birth of a new self. That is the miracle. Not so much the great and grand works we then are to accomplish but rather that we are transformed and reborn–that we are changed forever.

Saul had his road to Damascus. He was a mercenary answering really to no one but himself. He was paid to uncover and route out the new rebellious lot of the followers of the crucified man from Nazareth. Much like a modern day hit man or assassin. He went about his paid commission with steely and unemotional precision. The job paid well and he actually sadistically enjoyed it.

Sometimes our hearts are so cold and blind that our eyes must be blinded in order to get our attention. Extreme living often requires extreme turn abouts. It matters not how hard we may live, how bad, how destructive we wish to be, when the call comes, as it most likely will, we will be purged.

Are you restless of spirit, are you troubled…or are you seemingly living the perfect life, happy and supposedly content, yet there is just something unsettled deep within? Perhaps you must seek the solitude of self in order to determine the cause of the wrinkles of heart. Is God calling, beckoning…is there greatness in you that even you yourself deny?

We all have our time contemplating our existence, our roads to Damascus—the question remains… how long will we travel and contemplate before we finally recognize the One who is calling? How long will it take until we are ready to do the job we are called to do by the One who knows that we are the only one who can do this one particular chore….

We may run, but we cannot hide….When He calls, there will be no turning back…..Why is it then that you are still running so very fast so very far away…..He will stand fast, He will wait—you are needed to do the impossible.

My secret German love

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Call it Feng Shui, Chi, Balance, harmony or simply symmetry–
however you wish to view it or to name it, it is me and I am it.
I don’t know if I came preprogrammed this way or not,
but I am a very symmetrically oriented person.
Equally weighted and equally balanced.
None of this asymmetrical business for me.

And so it goes when I work on my own art.

I have always loved working with watercolors…
I like working with people, birds, nests, eggs, and you name it.
However, all my life I have felt that I have really wanted / needed to create
some type of opus, some sort of monumental tribute to God.

Why is that you ask?

Well, I think people who have talents and gifts—
well, they just don’t plop out of the sky.
A gift is just that—a gift…and it is something someone has given to someone else.
God has given me much, so what little I can give back…
well I’ve wanted to do it with a visual piece of art.

I’ve spent a lifetime looking at the Italian Renaissance masters,
passing later on to the Northern Renaissance…
with then the Germans and Dutch masters.
Powerful artists, who not only mastered body and mass,
but captured the epitome of emotion.
I can find myself in tears, full of emotion, while staring at various pieces.
I love the works of the Italian Caravaggio (see post What is an Icon).
Caravaggio’s Conversion of St Paul, or as it is actually known,
The Conversion on the Way to Damascus… is but one such piece.

300px-Conversion_on_the_Way_to_Damascus-Caravaggio_(c.1600-1)

The space is tight; the figures juxtaposed with precarious lines of placement
and the use of light, crucial light—
oh Caravaggio’s use of light…
Critics argue about the use of space with the horse,
Paul /Saul, the groomsman, too many legs, not enough focus on Paul, etc.
I must disagree with the “critics” as I find it powerful.
Very powerful!

It is my belief that because this is a tremendous moment in time and
that it is somewhat crammed into a tight space as the horse seems to precariously
control his mighty weight so as to not step on Paul…
who is splayed out on the ground beneath him,
as a sword is dropped to the ground, just as the stricken figure of Paul/ Saul
lies now defenseless having been struck blind…
It is because of all of this and more that seems to make this big moment even bigger.
It’s a millimoment in time that is captured… and it works—or at least works for me.
It makes me feel overwhelmed and leads me to believe that I am witnessing something that is
shattering time.
Oh those Italians——always masters of emotion——
the wonderful excess of such.

However as far as an artist who captures raw emotion with such vivid use,
there is none more so, to me, than the German Matthias Grünwald.
Who you ask?
A German, not an Italian?
All I ever talk about is my love affair with all things Italian and here I am suddenly
coming out with a secret German love?!
Yes.
I confess, a secret German love.

Unfortunately there is not much to the history books regarding Matthias.
He is a bit of an enigma.
His last name is really not his real last name.
As it seems a 17th century biographer inadvertently added Grünwald.
It is believed his name was actually Matthias Gothardt Neithardt.
He was born in Würzburg in 1480 but even that comes under question.
Who he studied under, who studied under him, all remains but a mystery.

The one thing that is not a mystery is Grünwald’s use of emotion.
We must remember that the artists of Grünwald’s time operated in a time even before
the printed word.
Images were everything;
they spoke volumes to the viewer—–their works, their paintings,
were the You Tubes of the day.
And yes, I like art that evokes emotion, passion and feelings–
why stare at something that speaks of nothing?

It is Grünwald’s Isenheim Altarpiece that, for me, evokes that tremendous emotion.
(again see the post “What is an Icon” as I’m taking from that post a tad)

crucifixion

This is one of my most favorite images of the crucifixion,
as it shows not a languid image of an intact pretty European body of Christ seemingly
floating against a cross, but rather in contrast,
it shows in graphic, vivid detail the results of a deadly beating,
a body nailed, pierced, abused, now dead body in full rigor mortis—-
the altarpiece was commissioned for a hospital in Colmar (now France but originally in Germany)
for patients with various skin afflictions (most likely plague and leprosy and St Elmo’s fire).
Hope in suffering—
resurrection form death…
Glory and victory over sin.

It is believed that Matthias may have been a plague victim and perhaps he had seen the
Black Death up close and very personally…
leading to his apparent visual knowledge of the human body in the midst of the mystery
known as death.
It is also his vision of what transpires after that death which is also worthy of attention.

It is from my appreciation of Matthias, and other artists,
who can so realistically capture the emotional dramas of human life and death,
as well as the mystical beauty often found in illuminated manuscripts,
that has lead me on my own journey of exploration of such mysterious moments
in time through my use of the visual arts.

I started working on my “spiritual” pieces about 12 years ago.
They began with the idea of the cross, ancient medieval texts,
the use of biblical languages such as Hebrew, Latin, Greek, and Aramaic,
as well as the use of mysterious mystical images as teaching tools.

The latest piece is a Triptych—
hence my love and need for balance and the symbolism as captured most
respectfully in this piece for the blessed Trinity.
It is not complete.
This whole “retirement” issue threw me for a bit of a loop and the groove of my diligent
quest has been slightly sidetracked.
There is a monastery in Hulbert, Oklahoma, Our Lady of Clear Creek Abbey that I wish to
eventually donate the piece to—
they are a group of Benedictine monks,
originating out of Notre-Dame de Fontgombault,
a French Abbey, which belongs to the Solesmes Congregation.
I will write a later post about St. Benedict and the Rule of Benedict—–
a wonderful standard in which to conduct ones life.
I will also showcase the monks of Clear Creek Abbey.
http://clearcreekmonks.org/

I thought that during Holy Week,
it would be fitting that I share my love of God’s idea of symmetry
(Trinity/ Triptych/tri/three) with you, my viewing friends.

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